Composer
Original music — scores written to sit under a voice for hours without ever competing with it, and pieces written for their own sake.
Scoring is a problem of restraint. The music has to establish a place and a mood in a few seconds, then withdraw far enough that a listener can follow a sentence over it, and come back at exactly the right moment. Everything I have written is below, and all of it plays.
A Taste of Magic
Audiobooks
Music written to sit under a voice for hours without ever competing with it.
Standalone pieces
Written for their own sake, unattached to anything.